Etienne Wenger was at the event to talk about community knowledge, learning and identity. These are notes of what he said about EQUAL, the need to supporting social artists and learning citizenship.
“When I look at EQUAL and the hope for EQUAL I’m pushed to ask - what is the real potential legacy of EQUAL? Where is the sources of real innovativeness and how do you get those 320 solutions you say you have from a website into the lives of people?
“The real legacy of EQUAL is that of trying to build the social infrastructure of innovation. This is hard work. It takes a complex system of communities and networks to do this. We need to talk to each other beyond our countries and cultures in order to see how we can give a voice of EQUAL to see how to create this social structure.
“The key success factor we’ve found is learning citizenship where learning citizenship is a personal commitment to seeing how we are as citizens in this world. Let me give you and example: I know an oncological surgeon in Ontario, Canada who asks himself how to provide the social infrastructure for patients to learn about cancer. An act of learning citizenship is to be able to use who you are to open this space for learning. I’ve come to call these people social artists, people who can create a space where people can find their own sense of learning citizenship.
I love social artists. In fact I worship them. First because social artists know how to do what I only know how to talk about; and second because I care about the learning of this planet. I think we are in a race between learning and survival. We live in a knowledge economy where any expertise is too complex for any one person. One person can’t be an expert so anyone who can give voice to that need to to work together is a social artist.
I do a lot of consultancy work for training community leaders, but in my heart of hearts I know the real secret of those social artists is not something I can teach. The real secret of those people is knowing how to use who you are as a vehicle for opening spaces for learning. I don’t really have the words - but I just know when I see it. It is a way of tapping into who you are and of making that a gift to the world … it’s about being able to use who I am to take my community to a new level of learning and performance.
I want to leave you with three questions…
- How can you act as a learning citizen in this world?
- How can we as a group help , sustain, celebrate that capability among ourselves? If EQUAL has done a bit of that - how do we capture it, nurture it cherish it?
- For those of you who are movers and shakers - how can you build an institutional structure that enables people to find their voice in the interests of the people they want to serve? Social artists need to fight … How can we enable a structure that enables those people to do the work that they do?
These are urgent questions. Social innovation a matter of the heart, not just projects. We need you to do that for the world, not just Europe.
Twenty five years ago I looked around and said that I wanted to be part of powering a new future.I saw it wasn’t going to happen in Switzerland and went to the US. Now I see that ESF is creating a social learning system across countries and cultures … it’s trying to do something we don’t know how to do. Across Europe you are offering concrete examples of how, as a planet, we could be building the social infrastructure. And I’ll be back to see how you are doing it.
Closing comment at the end of the panel: one thing that comes to me is the notion of spaces of trust - trust comes out of a focus on practice. Trust when you focus on practice and what you care about. Knowledge is easy, practice isn’t. Social artists are good at recognising the practioner in each of us.
Recent Comments